
Vanilla, woodsmoke and oak, arriving together.
The house lists six materials and no staging, and the fragrance largely behaves that way — Madagascar vanilla and guaiacwood are both present from the first spray rather than trading places. Oak barrels supply the boozy, cask-aged quality that gives the composition its distinctive presence; myrrh and benzoin add a dry, faintly church-like resin underneath; and ambrette seed contributes a soft, slightly animalic musk. The opening reads sweeter and more fruity than the finish, drying down into something closer to a wood-panelled library than a dessert.

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